Saturday, January 28, 2012

Guest Author: UK Based Martial Artist Ben Lee - contact him at BenLeeKarate@aol.co.uk.

What is the meaning of kumite?

Guest Author:  UK Based Martial Artist Ben Lee

What is kumite/sparring in karate ?, A competition between two students,A brawl or an ego booster?
If you think about it for a second you will find the answer is not as clear as it would seem to be.
When in a class practicing martial arts the person with the biggest ego is usually the one that is least liked by the rest of the group, A person who tries to win in sparring at any cost and make you look silly.In a real confrontation winning at any cost may be a good idea but when you are sparring this is not the case.
A brawl is not the answer, as sparring/kumite is a chance to hone our skills, perfect techniques using the best form possible.If we are brawling our technique will go out of the window and the techniques that we work so hard to perfect become worthless, Nothing more than a whirlwind of strikes.
When in a Dojo/training hall, we are all trying to learn.Speeding up the techniques in sparring and 'going at it' is great now and again. We should aim to help each other,get the techniques right and keep a feeling of courtesy towards each other.
Alot can be learned from practicing kumite, outside of pain.Rhythm,distance and timing to mention a few. Another is learning to harmonize with your opponent, to be as one. When he moves, you move simultaneously, flowing with him.
Picking up on an opponents intent to strike is a big step towards harmonizing with your opponent.
This is not a supernatural skill and is fully achievable.Just think of animals,for example;  If you try to sneak up on a bird, even if it is looking the opposite way, the bird will still fly away before you catch it.
Shigeru Egami ( a direct student of master Funakoshi) gave three different methods for developing the skill of picking up on an opponents intent in his book 'the way of karate, beyond technique', well worth a read if you have not already.
These Methods were as follows;
In Kihon or during kata practice and performing each movement to a command, begin to try and pick up on the intention of your instructor to shout the command.So if you do this correctly you should already be in motion, when the command is given and finish your technique when the command ends.To do this you should try to clear your mind, keeping it empty, relax as the more you tense and wait for the 'feeling' the slower you will be.When you get the feeling that a command will be given go with it.Work at this and you will get better and better.

The next method will require you to work with a partner.You and your partner face each other with enough distance between you, so that when a stepping punch is performed you are not close enough to hit each other. Take it in turns, One performing a stepping punch,one stepping back and blocking. The person punching, will change the timing between each punch,as well as changing the speed of the punch.Who ever is striking must concentrate there intent on hitting there partner,so as to give him something to pick up on. If you can turn intent on,you can also turn it off which is always helpful.The blocker should move in harmony with the person performing the strike.Moving simultaneously. When both of you start the feel comfortable with this, move closer, so that if a strike were thrown and no block was performed, it would impact.Repeat the same exercise again at this distance.Remember this is not a contest,you will not make much progress if you are concerned with winning.As master Egami say's 'overconfidence will come from winning,shame and the urge to act recklessly from losing.

The final method In master Egami's book was to learn to pick up an opponents intent, with your back to him. Again you will need a partner.One punching, the other moving out of the way. If your partner is punching you will have your back to him.When you feel him punching step forward out of his reach. So the person striking will vary the speed of his punch and the timing between each strike.This exercise will also contribute to concentration. Remember when performing these methods stay relax, keep your mind clear and go with your instincts.
There are other methods for developing the ability to pick up on an opponents intent but I will save these for another time.My instructor Sensei John Lovatt can pick up on an opponents intention through a brick wall.When an opponent throws a punch from the opposite side of a wall, my sensei moves simultaneously and blocks.
To me mastery of kumite in any martial art is learning to harmonize and be as one with your opponent.Picking up on intention will take you a step closer to this.Please feel free to email regarding any opinions,queries or thoughts on this subject and I will be happy to help.You can email me on BenLeeKarate@aol.co.uk.

Thursday, January 26, 2012

Taiji The Art of Living Life at its Full Potential

Taiji not just for Martial Artists.  Not just for the elderly.  
 

 

 

 

 

 

Taiji, The Art of

Living Life at its full Potential.

Dedicated to the study of Health (in every aspect) and the quality of life regardless of age or perceived condition. I believe that anyone can be Healthier tomorrow (compared to their level of health today). Even if you are dealing with health (physical or mental, which are often itertwined ) issues, some aspects of your life can be improved. Health is not solely based on your present physical condition.  It is a combination of the mental and physical states working in harmony as efficient as possible. Any flaws in either will affect your success. Physical flaws are not just ailments or conditions, they are a result of not being able to deal with adversity (physical or mental) properly.  These two aspects of health must cooperate with one and other and not oppose each other. If Optimum Health meant perfection on both levels separately, it could never be achieved. What Optimum Health represents is the perfect unison of the two.  Perhaps that is the greatest gift Taiji has to offer.
These two aspects combined with your own spirituality will make you whole and allow you to live your life to its full potential.

The end result is one who possesses the discipline and strength to change what he/she can and endure what they cannot while still appreciating the beauty of life itself.

Sunday, August 14, 2011

Martial Arts and Philosophy Writers Wanted

This is an invitation for any writer of Martial Arts or Philosophical material to submit articles for this blog and an upcoming book to be published soon. This is a chance to share your views on a variety of subjects related to the above request. (Writers will not receive any compensation for their articles.) I am an avid researcher of both the Martial Arts and  Philosopy. In the event that any profit is gained from this book all proceeds will go to St. Jude Children's Research Hospital. You needn't be a professional writer, (I certainly am not) you just need to have a passion for the subjects aforementioned. I will try to include as many articles as possible.
If you have any questions, feel free to contact me through this blog.
I look forward to your input.
Thanks,
Steve

Sunday, June 19, 2011

Demystifying and Revealing the Truth on how Taijiquan Works - Part 2

(Please read part 1 first - from April 2011)

 Part 2

 How does the Taijiquan Artist develop the necessary skills?                     

 First through standing (meditation) exercises to teach stability and balance in a fixed position. Both a relaxed mind and a relaxed but properly structured body, while maintaining the body’s center of balance (equilibrium) are necessary. Focusing on proper breathing comes once the body is trained to stand in an naturally aligned position with the back straight, tailbone pointing down and the head feeling like it is suspended by a string pulling up from the crown carrying its weight and all the while maintaining the maximum amount of relaxation.  Total awareness and control of the entire body, its root into the ground and its center need to be accomplished before moving on. One of the natural methods of abdominal breathing used in Taiji  is referred to as reverse breathing. This become an essential part of the  standing exercise which leads to a calm and clear mind as well as a higher level of a relaxed, but neither limp nor lethargic stance. It is also a very natural and efficient way to breathe, better oxygenating the blood and massaging the internal organs in the abdominal region, along with the ability to produce more force as you exhale when needed for the martial artist.

Picture-(Reverse breathing involves the expelling of air while expanding the lower abdominal region downward and out.

 If this seems unnatural to you, try exhaling rapidly and saying the word ha,  (exhaling through your mouth) with your hand on your lower abdominal region. Follow by inhaling in which the lower abdominal region pulls back in using more diaphragm.
(note when done slowly, breathe in and out through the nose-when done quickly to emit force breathe out through the mouth.
 It is important to avoid shallow breathing which uses more intercostals muscles to expand the chest which causes improper ventilation of the lower lobes in the lungs.)


Master/Dr Kam Lee’s detailed explanation:

General breathing can be categorized into 2 kinds:
1. Shallow breathing - Not preferable
2. Deep or Abdominal Breathing - Preferable (Bringing in more oxygen, etc)
Abdominal Breathing when used to nourish our qi (ex: meditation, sleeping, daily movements) can be called, "Natural Breathing" as we don't have to think too much about it. It can happen naturally after you are trained to do it. Doesn't take long.
3. Abdominal breathing when used to express our qi or jin or when power is used, can be called Reversed Breath, which the abdominal muscle groups work the opposite way to Natural Breathing. It stresses the muscle and uses more qi. However when expressed softly or slowly it is a very good method to enhance our qi without expending it so much as in Fajin. If you fajin a lot you can get tired easily if your qi is insufficient.

   Yin Natural Breathing Stillness Relax state of qi Nourishing Jin Uses abdominal (Dantian)
Yang Reverse Breathing Movement Higher state of qi Uses Jin (Fajin) Uses abdominal (Dantian)

Both breathing methods are neither limp nor lethargic. Both can attain a calm and clear state of mind. When done slow (beginner's meditation) natural breathing is preferable. When fajin or expressing jin in martial applications, reversed breath is preferable.

Both are natural and efficient depending on use. Reverse breathing is a plus for martial artist.

Deep abdominal breathing involves breathing in the air by contracting the diaphragm and expanding the lungs to its full capacity, starting from the lower lobes. The contraction of the diaphragm compresses the organs especially the intestines downwards and at the same time expanding the lungs to its full capacity. This can be done only when the body muscles especially the abdominals are in a relax state. Not knowing how to breathe properly builds tension in the abdominal and mid body thus inhibiting good circulation and proper function of qi. Abdominal breathing encourages all movements internally and promotes good health.





Harmony is  now present between the body and mind and true balance is   achieved. The mind’s ability to see, sense, feel and respond reaches an elevated level. (I personally recommend sitting Wuji meditation in conjunction with standing meditation. Although the have many common benefits they are also unique in their own ways. For more information on this please see Dr Yang Yang’s book, Taijiquan - That Art of Nurturing, The Science of Power)

Forms and movement
 Stage two of training is maintaining your center and applying the same principles as in the standing exercise, but with movement. Spiraling movement exercises and forms practice accomplish this task. Total awareness of every point of the body must be realized and all movements must be connected. No individual body part should act independently. (Movement resembles a system of smooth moving cogs as seen in a Swiss watch; each cog has its own important job and cannot be done without.)

At the advanced level of this stage the practitioner will incorporate some fast movements and the releasing of power in a variety of positions.  Weapons’ training in this phase is also important for the basic development of strength and control even if the thought of practicality is not a consideration. To study the variety of weapons offered from short to long and light to heavy while keeping in line with all of the other principles completes this stage and also helps to improve empty hand forms.




Push Hands
The third stage is still maintaining your body’s center and all of the above mentioned requirements while an outside source (partner) tries to disturb your high level of control and balance. Here is where the following of your opponent’s movements, redirecting of his force and controlling his center of balance is studied. We call this phase push-hands because of the continued contact you have with your training partner. But that term does not paint the true picture of this training method. Here in the later stages of Push-hands a higher level of sensitivity and understanding on how the movements apply to self-defense become visible. Joint manipulation is also studied at this stage. Reactions become both spontaneous and natural. At this point along with the health benefits manifested from proper practice the Martial aspects are beginning to materialize. Through proper training of all three phases your body will develop the needed attributes both internally and externally. However by no means does the training stop. This is the true beginning in the process of mastering Taijiquan.  Perhaps the most important aspect of this phase is that it is a platform where one can experiment and discover his/ her flaws regarding all the governing Taijiquan principles. All three phases must constantly be practiced to keep the body and mind tuned like a fine machine.  Neglecting any one of the training methods would be like removing one leg from a tripod. You would be left with a tool that could never function properly. From the first to the third stage is like building a house from the ground up. If proper attention is not paid to the foundation, the house will never be of a sound structure
You can now begin to understand teaching the body to move and react in this natural way is not nearly as difficult as unlearning all of  the counter-productive ways of moving incorrectly that we have accumulated over the years. (Especially the over tightening of unneeded muscles and joints.)


 If your goal is strictly health, continue working on the above and you will find success. But there is much more that Taijiquan can offer to the Martial Artist to enhance their skills.


 People often ask, “If Taijiquan is so effective why don’t we see more practical examples in the Martial Art world?” This requires a brief look at Chinese history. The answers lie in the not so distant past (100 years or so) when it was still being used as a combat art. Like all things it has evolved and changed over the years. That’s why no art is truly 100% traditional. Every martial art must change over time to accommodate the changing environment in which it exists. During China’s Cultural Revolution the practice of this and many other martial arts were prohibited by the government.  Devoted Taijiquan practitioners had to train in secrecy. Many were caught and punished, but they still persevered through this most difficult time and both preserved and passed down their family art. Taijiquan is certainly not the only martial art to suffer this hardship.

 It was only when the art resurfaced publicly following a 1978 endorsement from Deng Xiaoping (China’s leader at that time) stating “Taijiquan is good”.  After that period Taiji was often taught as an art focusing more for its health benefits. The martial art aspect was watered down and furthermore  was also not even understood by many teachers. Hence the term Taiji with out the quan(fist). Taijiquan loosely translates to Grand Ultimate Fist. Also like many Chinese Gungfu styles, Masters were leery of passing on all of their knowledge publicly and carefully chose only the worthiest of students to have access to the complete art.
 Chen Village still remained quite isolated and with a somewhat closed door attitude regarding sharing their family art. Other more popular forms of Taiji (such as Yang Style) were practiced by many, but few trained the martial aspects. Taiji developed a reputation as a slow moving exercise for the elderly. Most players at that time were never exposed to the martial art side of Taiji. That method of Taiji practice became and still is quite popular today.

Presently Chen Taijiquan is being taught openly throughout the world.
The martial art aspects are once again becoming an important part of the training for those who desire.
Another factor is more universal and can apply to all Martial Arts. Equally important to studying a practical and suitable art is the student’s personal attitude.
Three classes a week at your local Martial Arts school does not make a master. Any art being practiced by a student without diligence, dedication and perseverance will never truly manifest itself in that student.  If any viable art fails to produce the desired results, first look at the student and his or her teacher. You will find the root of its inadequacies. Taijiquan is no exception.
For those students electing to focus only on the health aspects, you have still been exposed to some martial benefits. While you should now experience a higher level of health you still shouldn’t consider yourself a martial artist and that is also acceptable for a practitioner.

 For those pursuing Taijiquan in its most complete form including the Martial Art aspects (read on).

The last crucial steps which are often overlooked, involve putting it all together in the proper environment.  

The knowledge gained from the above three stages does not a Martial Artist make. How you gain the practical experience to use these tools requires sparring and training with partners of all sizes and from many other disciplines including other grappling arts. (Taijiquan does deal with all ranges of combat.) Without this reality training you will not be a complete martial artist and won’t develop the real skills needed for survival in self-defense or combat.
A common misconception of Taijiquan among many of its own followers is that they do not need the sparring stage for the development of fighting skills.
In my opinion, this could not be further from the truth. Let us not kid ourselves; this is why many practitioners can’t use Taijiquan as a reality based self-defense art. Even those that attain an advanced skill level in push-hands must move on to sparring under a variety of conditions. Also at this time if the practitioner has not incorporated bag training and striking pads into the mix he should.

The last factor we will discuss depends on the individual. If all of the three stages mentioned above are practiced with great effort and determination
the Taiji player should enjoy a great deal of endurance and strength.  If he is lacking in these areas he must address this problem with additional cardio and strength training exercises. For endurance, more forms, running, sprinting, jumping rope etc…
By strength training I don’t mean typical weight lifting or body building routines which often tightens not only muscles, but ligaments and tendons. (The results of these types of training will become counter-productive. I learned this the hard way.)  Muscles ligaments and tendons that are too tight prohibit the fluidity needed to transfer force through the body when striking They also inhibit the higher level of sensitivity required for blending and redirecting incoming force. Lastly they allow your joints ligaments, tendons and muscles to be manipulated and controlled more easily by your opponent (due to their limited range of motion and  flexibility).

However additional use of the weapons and basic bodyweight exercises such as pull-ups, chin-ups, dips, push-ups etc… using  your own body weight along with some resistance exercises  can complete the strength training aspect of the overall program.

I am not expecting to see Taiji in the MMA world in the very near future, but I will say it could be effective even under those conditions. Even though Taijiquan’s martial skills are usually thought to require years of practice to become effective, this is certainly not accurate. It depends on the student and the teacher he studies with. As far as the art itself goes, many people have not witnessed Taijiquan at its higher levels so they condemn the validity of its martial efficiency.  If you put me on the track in Daytona with the best race car available, I will still lose the race. You can’t blame the car. You can blame me the driver for not showing the true capabilities of a superbly designed piece of engineering. Taijiquan is that superbly designed piece of engineering. The same goes for a master craftsman’s tools. In the wrong hands the tools are useless.  In the body of a well trained technician Taijiquan’s full potential become evident.
What I do recommend for my fellow Martial Artists, keep an open mind and explore the possibilities that Taijiquan has to offer and the option to at least cross-train into this misunderstood art. It may help you further develop your existing skills.  (Visit my Youtube Channel at Taijistevie to see some strength/endurance training ideas)


In conclusion, I would say, unlike other effective martial arts which try to mold the body into a moving in a new manner and then training the muscle memory to follow, Taijiquan calls for the purging and un-learning of the body’s bad habits, those habits that it has conformed to over the years. It returns the individual to a more natural and harmonious way where mind and body form the perfect partnership.
Being that Taijiquan does not require the novice student to possess any great athletic attributes such as strength and speed, anyone can become proficient.

Taijiquan certainly does not hold exclusive rights to the principles discussed in this article, it just emphasizes them.
 We don’t concentrate on learning hundreds of techniques. We just learn to react naturally. Sorry to disappoint those looking for something more mystical or magical. There is nothing here other than the natural laws of physics and using them efficiently in a way that is natural for each individual, but not exactly the same way for every individual. This includes applying them to different degrees depending on such factors as the individual’s abilities, body type, and his or her (physical and mental) strengths and weaknesses.

The results of proper Taijiquan practice could certainly compliment any style you train with.
I don’t claim any expertise in Taiji, but it has given me plenty as a martial artist and even more as a human being. I apply the Taiji Philosophy to every aspect of my life.

Taijiquan has stood the test of time because many things change, but the laws of nature which it rests on remain constant. That being said we must understand that what seemed natural for me yesterday may not seem natural for me tomorrow and that is due to the laws of nature. So within Taiji we appear to have contradictions and that to is only natural, however Taiji has also taught me how to deal with that.

(I haven’t even needed to use the word qi (ki-in Japanese) once to describe Taijiquan.)






Contact me if you have any questions or comments.   

Thursday, April 28, 2011

My Bio

Steve Contes, instructor and founder of the Taiji Center began his martial arts training in 1970. For the first 20 years he studied a variety of martial arts, qi-gong, health, nutrition, fitness, philosophy and meditation. He then decided to focus on a practical form of self-defense combining principles from all the above mentioned. He had also come to realize that in order to train in a complete system, all enemies must be understood. The most often overlooked and greatest enemy we must face is found within. If we are to learn how to protect ourselves, then this must be the starting point. Martial art technique makes us strong on the outside, meditation protects us on the inside.

The latter proved to be a more important aspect of self defense. It includes but is not limited to relieving stress, teaching us how to overcome obstacles in life and even strengthening our mind and our immune system; all of which promotes overall health. The end results are a better quality of life and a more harmonious way of living.

The above ideas were organized in to a system of teaching now known as JO-JONG-PAI. As the system evolved the key ingredients began to rely on proper Taiji training. Taiji already addressed the proper balance between both inner and outer strengths.
The true Taiji philosophy exemplifies all of the above ideas. For the dedicated student it can be one of the most direct methods to achieving your true potential as a complete martial artist.
This is not to say that this is the only path to take, but it is a path that should be explored. Taiji training is offered to all that wish.
Your present level of health whatever that may be can be improved with proper training. No matter what you perceive your personal limitations Taiji offers something for all. Taiji is often misrepresented around the world to be just a slow moving exercise for the elderly. This could not be further from the truth. Our mission is to provide accurate instruction, information and also the true history of this art and it's evolution into the modern world. For the past 20 years Steve's focus has become a concentrated effort to understand Taiji as the complete art it really is. This includes regular trips to Chen Village, China and training with Master Zhu Tiancai (19th generation) of Chen Village and Master Kam Lee (20th generation) of Florida. Steve follows the Chenjiagou (Chen) Style Taiji curriculum established by Master Zhu Tiancai and Master Kam Lee.  He has also attended workshops with many Masters, such as Zhu Xiang Hua, Chen Zheng Lei, Chen Xiao Wang, Chen Bing, William CC Chen, Dr.Yang Yang,  Yang Zhenduo, Yang Zhun and Master Liu of Shandong.
His training has also involved various styles of Jiu-Jitsu, Judo,  Karate, Kick-boxing and a variety of other disciplines. "I still believe an open mind is required to fully understand the full spectrum of Martial Arts and all Arts have their strengths" He has also had the opportunity to visit, interview or be critiqued by some of China's most renowned Taiji Masters such as the late 18th Generation Master Feng Zhi Qiang,  Master Chen Yu (Chen Zhaokui's son), Chen Qingzhou, and some other equally skilled , but less known Masters. This has helped him gain a more well rounded understanding of Taiji, its principles, philosophy and true history. 
 
  Steve has spent the last three years living, training and working in China.  He will be moving back to the states this year. In his absence all classes are taught by his trained staff.
Steve also produces Martial Art Training DVDs including instruction in Chen Taiji with both Master Zhu Tiancai and Master Kam Lee.
 

Steve had previously been involved in helping to translate much needed Chinese Kungfu and philosophical material to the English speaking world.

As an author of many Taiji articles, he continues to write pieces geared for westerners to better understand this eastern-based philosophical art.
He is in the process of organizing all the efforts of his research into a book covering all aspects of Taijiquan.



He serves as a judge at International Tournaments for both MMA and Traditional Martial Arts. His school has produced many Gold, Silver and Bronze medalists. He has competed in Tournaments in both China and the USA. Steve sponsors workshops in both the USA and China. He promotes trips to China for training with the worlds most accomplished Masters for individuals or groups.

Saturday, April 23, 2011

Demystifying and Revealing the Truth on how Taijiquan Works



Demystifying and Revealing the Truth on how
 Taijiquan Works

Part 1
A basic explanation of Taijiquan to my fellow Martial Artists


This article is my interpretation of Taijiquan (focusing on the Chen Style) as seen through my eyes. I have not emphasized the health and philosophical aspects in this article, because I believe most people are already aware of the legitimate association they have with Taijiquan. I have reflected some of the thoughts of the Taiji Masters with whom I have trained with and also have included many of my own. I certainly do not claim to represent the Taiji world in any way nor will this put to rest all of the debate and mysticism surrounding Taijiquan. Keep in mind, there are many ways to look at Taijiquan, however this should at least introduce the Martial Arts World to some basic Taijiquan concepts (many of which they also may be familiar with). My Martial Art training began forty years ago with the last twenty focusing on Taiji and the past twelve dedicated almost exclusively to the Chen Style. I have come to strongly believe that balance and harmony (as illustrated by the philosophy of Yin and Yang) are the key ingredients to understanding not only Taijiquan philosophy, but life itself.

 (I will purposely avoid using Taijiquan Terminology and in its place use some basic language and analogies recognizable outside of the Taiji world.)


I have found that even here in China, many people are unaware of the combat roots in which Chen Taijiquan was spawned. Even some practitioners focusing on the tremendous health aspect of this otherwise misunderstood art and its spin-offs (Yang, Wu, Wu, and Sun to name a few) are unaware of the true origin of Chen Taijiquan. Its development was predicated on defense in life and death situations in a brutally violent environment. 
Most modern martial art historians now credit the Chen family for creating Taijiquan as we know it today. The Chen Clan has been known for their martial arts for the past 20 generations, but it was a 9th generation family member Chen Wanting (1600-1680) who is considered to be Chen Taijiquan’s founding father. He was a famous bodyguard and also a well known military commander. He used his expertise to combine a variety of martial art principles with the theories of Yin and Yang, using breathing in conjunction with body movements to guide and focus energy, along with the principles of Traditional Chinese Medicine.  It is this eclectic blend that makes Taijiquan a most all encompassing and unique Martial Art.

 Now for some details: bear in mind that all Martial Arts have some common factors. Taijiquan is a complicated system utilizing and resting upon many important principles. Among the most fundamental of these principles are balance, stability, leverage, redirecting and the neutralization of force and of course generating force (including how to place force on a particular point of the lever - wherever that point may be in a given situation). Careful consideration to body alignment and proper structure is a must. This must also be achieved without over-tightening muscles and joints that would otherwise be counter productive to natural movement. Why is relaxation of the body necessary? A key reason is that all joints require muscle groups for movement. Muscles responsible for movements are paired off with opposing muscles such as biceps and triceps (arm movements as in bending/pulling and straightening/pushing) and chest and back (as in pushing and pulling). If the opposing muscle such as the biceps tighten up while the triceps are engaged in a pushing or punching motion, the bicep diminishes both the power and speed of the movement. The same problem applies to any of the muscles trying to move any joint in any direction. This would compare to trying to push a disabled vehicle off the road with four individuals, two in front wanting to push backwards and two in the rear trying to push forwards. There is a conflict between the four men which hinders the task. Even if the two front men over power the two men in the back, this is not an efficient way to operate.  However a totally relaxed body without any structure is equally useless. (Anyone who says Taijiquan does not use any muscular force is misunderstanding this art. The difference is how it is used.)
Another basic principle is that movement must possess a spiraling transfer of force from a push of the foot off the ground to the dantian (body’s center located in the lower abdominal region) and only then can it be delivered throughout the body as needed. ( Also consider on a more technical level that even the initial push of the ground is preceded by dantian movement. Force can be also initiated from internal torque within the body when a solid root is not available, but an even higher level of Taiji skill is needed.) Unlike some martial arts Taijiquan utilizes every part of the body and all parts must be capable of delivering power in order to protect oneself. Whether done fast or slow it must not lose its fluidity. All of this, while maintaining a straight upper torso with movements usually traveling in an arc like path (though they sometimes appear straight due to the shortness of the distance traveled – it is said that there are no straight lines in nature).  Picture 1A CAPTION  Anyone who has trained on some of the older Universal type weight equipment or even the modern Smith Machine should be able to recall the discomfort of trying to apply force on a machine that only travels in a straight line (such as a military-press, bench-press or squat). It can be done, but it misaligns and stresses the joints and muscles of the body in an anatomically incorrect fashion. The practitioner must be able to deliver force at any point in the circular path. He must also be able to accept incoming force by the use of redirecting and neutralizing (without the use of impact).
First let us look at issuing power.
The offensive release of force is likened to letting go of an arrow (just slightly opening two fingers) when placed in a drawn bow. Other ways to look at it would be squeezing the trigger on a garden-hose nozzle where the water has been turned on and pressure is present in the hose or a dog shaking the mud and rain off of its body. The mud and rain go flying off effortlessly.

With these analogies in mind you must also add this important thought. That in whatever direction you must emit power or accept incoming force; the tool for the job revolves as if it is part of a sphere and can be pointed in any direction. This allows the Taijiquan practitioner to be able to defend himself from all directions and from any position. (This sphere is located at the body’s center / lower abdominal region area aka dantian.)

Another method of initiating power is the folding and unfolding of the torso (in the chest, shoulder an upper back area). Utilizing a center vertical line running through the torso from the crown of the head to a low point of the torso found between the genitalia and the anus. This centerline acts as a hinge allowing the shoulders to swing forward or backward (never exceeding they natural range of motion) both individually and or simultaneously.  This can be compared to getting hit by a slamming door set to spring open or closed. In close quarters, clinching or grappling the shoulder (in all directions) becomes a powerful striking tool that requires limited movement, but explosive power and virtually no telegraphic warnings before the strike lands.

In general when releasing power in any direction, the body cyclically passes through three different stages, similar to that of a spring including coiling or compressing, releasing or expanding and then returning to a neutral state neither compressed nor expanded. Early practice of the form teaches this in a very slow methodical way. From a neutral position (relaxed while maintaining proper structure)  the body coils in the opposite direction from which it wants to move and then a releasing motion of the body sends it in its intended direction which is the uncoiling and expanding likened to that of the spring, which could also be used to release power. From that point of expansion (never extending one’s body or limbs beyond its limits of balance) it naturally returns to the neutral position and this process is repeated throughout the form. These movements are not always all that visible to the naked eye. Keep in mind  (as mentioned above) another dimension to this spring-like movement that separates Chen Taijiquan  from other styles is the revolving of the body’s center (dantian) in any direction needed to drive the created force spiraling out. Thus the rotation of the body’s center is the true driving force of all power. These movements like all Taijiquan movements should be executed while maintaining a solid, but flexible root and stable connection to the ground with the exception of the higher level of internal torque available to the more advanced level practitioner. This also does not mean that one’s foot can never leave the ground, but you must push off of your root to have maximum force. This can also be compared to a ball or a wheel rolling on the ground with total freedom, but still needing to maintain contact with the ground for continuous controlled movement. When contact is lost for an extended time it would resemble a car hydroplaning out of control. Although it is still a dangerous moving mass, it can’t be guided or controlled properly until it reconnects to the road. With Taijiquan, we strive to utilize all the laws of nature while maintaining total control of our moving and rolling mass and its power while having the highest level of awareness, sensitivity and efficiency (all with a relaxed mind and body).
One of the defensive structural properties of Taijiquan mimics a balloon being punched while suspended in air. It barely moves and does not pop, because it is soft and offers no resistance that would create any impact. It just floats enough to be out of the initial reach of what ever is striking it.
Even holding it in a fixed position and pressing in with a finger does not damage its inflated structure, as the finger is being withdrawn the surface is returning to its original shape. Consider what happens when you take a sledge-hammer to a hard concrete block. How about taking that same sledge-hammer to a properly inflated rubber tire. The hammer bounces off the tire with the same force it hits it with and no damage to the tire. Which would you rather be the concrete block or the rubber tire?  (My teacher demonstrated this principal by letting me punch him in the stomach and my fist bounced right off.)

 I recall an experience in my younger construction days while swinging a sledge hammer to break up a concrete patio. There was a clothes line above and I caught it with a high overhead swing. The clothes line (made of a rope stretched across the yard from one tree to another) caught the head of the hammer, accepted the force and then released it back in the direction it came from with such speed that it hit me in the back. That thin rope defended itself better from my hammer than the hard concrete did. It even counter-struck me in the back with enough force that I instantly was knocked off my feet. That is just another example of softness overcoming hardness.

        
Defending against blows or accepting incoming force in from your opponent also compares to the tire and clothes line theory. An example of another Taiji principal would be like throwing an object in to a tornado where it becomes redirected. (No impact needed.)
These are just some of the Taijiquan methods of dealing with incoming force that lends to Philosophy of Yin and Yang. Combining soft and hard as needed to produce the desired results.
As we develop the basic skills we also must constantly increase our level of awareness, sensitivity, clarity in thinking seeing and feeling and all while not upsetting the harmony of natural movement.  Carrying over to the Martial side and combat related scenarios we must also understand following and entering into an opponents territory (range) with the path of no resistance.  The mind must possess the perfect blend of alertness while in a relaxed state so as not to be hindered by anxiety, fear, premeditated movements or anticipation from the actions of your opponent. Your reactions are to be spontaneous with out thought, more like other functions of the body when performing involuntary actions.
The aforementioned is certainly not a comprehensive list of the myriad of skills needed to master this art, but are basic skills that should be understood by an intermediate player to say the least.  In part 2 we will discuss how one can attain these needed skills.

 Please look for Part 2 on this blog-site

Thursday, March 31, 2011